transient modulation
- passes through one or two keys before landing in the desired one
- we are advised to not stray too far from the “normal course”
- meaning circle of 5ths
- when we reach the final key, we should make the prolonged cadence
- when a sequence implies a modulation, it does not need to modulate in the same direction
- transient implies that going through key areas means not following a strict tonic to dominant function
- however, sequences can allow for this
- fourths and fifths leaps in the bass
- with 5 voices we could do such a sequence with chords of the 9th
- however, sequences can allow for this
- construct a modulation sequence
- analyze
