Scores may be searched for under the categories of Choral Music, Instrumental Music, Keyboard Music and Vocal Music using the drop-down menu. Otherwise, the entire Dane Madrigal catalogue is listed here below! Products are available in Full Score [no parts required for performance] or Full Score with Parts. If the score has optional parts, it will be listed in blue.

NB: When purchasing scores, it is up to the integrity of the purchaser to purchase the correct number of scores needed for performance.

All scores are Copyrighted to Dane Madrigal and are not reproducible in any form.

Missa Sanctæ Crucis – c. 8:00
For Voice and Piano
Trilingual mass setting in the ordinary form. Latin, English, and Spanish.

A Community Prayer – c. 1:20
For SATB Choir
A simple choir piece, short in duration, for meditations at communion or offertory.

¡Boink! – c. 13:39
For [unconventional] String Quartet
Satire on new music while still being challenging for performers!

Love and Loss – c. 10:15
For Symphony Orchestra
A journey through a remarkable love story with both anguish and joy.

Chill – c. 5:40
For Piano Quintet
Subtly disturbed and filled with new auditory landscapes.

CLARINET DUET NO. 1 – c. 12:00
For 2 Bb Clarinets
A piece that explores ancestral history and engages performers in rigorous extended techniques.

Finding Time To Dance – c. 3:30
For Percussion and Violin
The piece explores both advanced rhythmic articulation and Klezmer styles of playing.

ATLAS – c. 3:15
For Violin and Violoncello
A miniature that explores the primordial natures of earth through advanced string techniques.

A FROZEN WISP – c. 3:54
For Bass Clarinet and Marimba
A piece that both lives and thrives in the realm of polymodal composition.

Rain – c. 2:30
For Piano Trio
Rain is written as a piece of art that should showcase the dynamic contrasts that players are able to achieve in all registers of their instruments.

FLEE AWAY – c. 2:41
For Voice and Piano
The piece is made up of many lines that lean into each other and yearn for some kind of reply.

VOICE SKETCHES – c. 4:39
For Baritone Solo
The piece is made as an etude for contemporary classical vocalists to strengthen their relationship with singing in the overtone series.

The Finest Art – c. 3:37
For Voice, Piano and Melodica
Filled with emotion of many kinds, the piece should captivate audiences with a fine performance, fitting well into sets of repertory that focus on the humanity of persons.